Saturday, 17 November 2018

My First Concert!

Recently, I played my first ever 45-minute concert with an accompanist. This was my longest performance ever and the accompaniments really helped to elevate the atmosphere produced in the hall that day.


This, however, was the tip of the iceberg as I had to put in two hours of hard work every day for two months to have it culminate at this point. Ever since my tenth-grade board exams ended, I had to practice two hours a day to qualify to give a such a long high-quality performance. I even had to go to Chennai for two weeks in the sweltering heat just to learn more complicated songs and practice under the guidance of my teacher, Chitraveena. N. Ravikiran.


As this was my first ever solo concert, I had to work extra hard to make this performance happen. The hours of practice left me with my arms throbbing and my fingers stiff. The constant tuning and string cleaning was exhausting. The Chitraveena is not easy to maintain.


On the day of the concert, I felt extremely nervous; would my performance be representative of the amount of work I had put in or would it only receive pity applause? I decided to put these thoughts behind me and start my sound check. I felt the instrument was not properly tuned and I spent a little over fifteen minutes tuning the instrument. It may have been noisy and a little annoying but the results would be worth the agony.


As the audience started walking in, the nervousness came back. My accompanist, a seasoned professional with a hundred concerts under his belt, went about his business and tuned his mrudangam by precariously hitting it with a rock in the right places. The low pitched sounds only increased the dramatic tension in the room as people started to settle down. Luckily, this was a small room with a capacity of around fifty people so if I made some mistakes, they wouldn't go very far.


The organizers held forth with flowery speeches about the event and their efforts. Somewhere in the dark pit of the audience, I rubbed my cold, nervous hands together, dreading that I might make mistakes that everyone would talk about the rest of the evening.
  
The concert started and I gave a short introduction before each song so the westernized audience could better understand the nuances, difficulties, and meanings of the songs I played. This helped to elevate the atmosphere in the small room and drove attention away from the minor mistakes I made. Thankfully, the only person who noticed my mistakes was my mother; even my accompanist didn't notice so I could brag about how I finished my first ever concert without any mistakes.


The concert ended after forty-five minutes and I was relieved. I was a bit sweaty after the concert because of the nervousness and the physical effort it takes to play this instrument at a near-professional level.


My first concert was a success and the months of effort seem to have paid off. After the concert, I have been practicing my instrument for relaxation rather than preparing for another concert because although it is gratifying, the amount of work required to put up a quality corner coupled with my school work is too much to bear.


However, I plan to return to the stage soon as a seasoned, professional and less-nervous musician and give something back to the community that helped make me the musician I am today.

Tuesday, 24 July 2018

Why are there so little Chitraveena players?

Although the Chitraveena is a unique and melodious instrument, there are not many people who choose to take up this instrument. They instead choose to take up the Carnatic violin or percussion instruments like the Mrudangam. The reality is that this instrument can take up a lot of time, money and effort. Here are a few reason why the Chitraveena is such a rare instrument:


The violin was introduced to India in the late 1700's which gave it enough time to get aquatinted and folded in to Carnatic music. The Chitraveena on the other hand was only invented towards the end of the 1800's so it had less time to become a staple of Carnatic music.

The instrument is very hard to play because of the lack of frets. It also requires a lot of patience and precise movements which can be tough in the initial stages of learning. This is why a high quality teacher is needed so that one can be guided to reach a certain degree of professionalism. Sadly, there are not many people qualified to teach such a difficult instrument so this can lead to students choosing to take up other instruments ahead of the Chitraveena.

The low number of manufacturers who make this instruments is also a reason why so few people play this instrument. There are less than five manufacturers who  craft this instrument and it is hard to contact them. It is also hard to maintain as the many strings make cleaning particularly hard. Some people also complain about it being hard to transport due to its large and unusual shape.

The low number of professional artists also means that the instrument gets lower exposure than another instrument of the same caliber like the violin or the flute. Even though artists like Chitraveena. N. Ravikiran are trying their best to popularize this obscure instrument, the number of Chitraveena concerts is considerably lower than the number of violin concerts.

The lack of artists makes this instrument unique and also portrays it as a higher level of instrument. Despite it's many shortcomings, I will continue to play the instrument and strive to improve everyday.























Wednesday, 14 February 2018

Numerous Negatives

This week, I will be discussing something different from the rest of the blog pieces. The many potent disadvantages of playing the chitraveena.


1. It is extremely hard to carry. When I travel to Chennai, I have to carry my smaller navachitraveena so that it can fit in the hold of small turboprop airplanes. This Chitraveena does not have the same quality of sound as the normal one and it also requires a large amplifier and a pickup microphone. All these extra items make for a royal hassle and make this version of the Chitraveena equally as hard to transport.

2.  It is not widely recognized so many competitions and organizations only find out about the instrument once they see it leading to them asking a lot of annoying questions. It can also diminish the grandeur of the instrument because the uninformed listener cannot appreciate the music coming from this special yet peculiar instrument.

3. It is very hard to play. It takes a long time to learn and master the art of playing the Chitraveena. I myself took a year just to familiarize with the instrument before I could play songs. It took me five years to get to the stage where I am today and my journey is still not complete.

4. While playing for extended periods of time, it can be extremely painful. Moving the teflon slide continuously at high speeds can cause pain in the arm and can sometimes lead to an injury. I you want to learn how to play this instrument, be prepared to feel some pain.

Although it has it's disadvantages, it still is a great instrument and is the best way to express feelings without singing. it remains a great opportunity for people who want to learn Carnatic music but don't want to learn how to sing.